Which were to be found in all sophisticated households. Vienna-in particular, the many elaborate and highly decorative pianos The instruments that were employed within the salons of Biedermeier In Chapter 8, Beatrix Darmstadter makes a detailed study of
The mass production of printed publicationsīrought about 'the satiric decade' of 1830 to 1840 and Garnettįinds that these caricatures reveal truths about the salon society of Writing of France during the July Monarchy to examine the phenomenon of Then, in the following chapter, Maren Bagge andĬlemens Kreutzfeldt use the lens of English caricature in the eighteenthĬentury to examine the salon culture of England, both in London and on
(until 1846), she was to shape contemporary musical production in SwedenĪnd where the interaction between Swedish folk music and art musicīecame important. Uppsala salon of Malla Silverstolpe in which, over some thirty years Firstly, Kirsten Santos Rutschman considers the The central section of the book looks at representations of the Salon was to be transformed into a more impersonal and public medium. Through publishing, the intimate personal communication of the Salon' which extends the personal world of salon by the means of Word?' In this work, Loges sees an 'expanded notion of the In particular, 'What expressive possibilities might haveīeen created by this synergy between the printed and the sung Johannes Brahms to illustrate the importance of words and music to the InĬhapter 4, Natasha Loges uses the Madchen lieder of Paul Hayser and The von Armin salon is revealed through detailed analytical study of theĬhamber music which he wrote for this salon from 1854 to 1856. Here, the cultural dialogue which took place between Joachim and Larry Todd on the intimacy of Bettina vonĪrnim's salon examines the way in which Joseph Joachim'sĬreative output was focused, nurtured, and stimulated by his experiences Perspectives on the development of the romantic zeitgeist. Used, just as usefully as any established masterwork, to give new Sketches of Bettina von Arnim are explored by Jennifer Ronyak, whoĭemonstrates how Arnim's very amateur compositional activity can be The aesthetic implications of the musical Succeeding chapters in this section introduce a Historical researchers this study of her life in Berlin between 1836Īnd 1839 reveals this. Herself, she experienced and recorded much that is valuable to
SYNERGY SALON TALLAHASSEE PROFESSIONAL
She was only 'on the fringe of professional musical success' The salon life ofīerlin was evidently crucial to her development as a musician, and while Political engagement, and personal life have allowed. Interesting figure than the previous studies of her composition, Nevertheless, Kinkel emerges as a far more In short, much is often missing and what there Salon culture-not least the problem of evidence from culturalīiographies and autobiographies, which inevitably contain specific Sources', begins by giving an outline of the pitfalls of studying Life in Berlin (1836-39): Reflections on Historiographical Highlighted, as composers, performers, and enablers.īunzel's opening chapter, 'Johanna Kinkel's Social Over sixteen chapters, many strands of research emerge and within theseĪ rich tapestry develops in particular the role of women is 'Representations of the Salon', and 'Case Studies'. Theīook has three sections, 'Concepts and Contexts', This catholicity of approach makes the book all the more appealing. Heterogeneity of the salon though a collection of case studies'.
Salon was represented in different media and to showcase the Religion, biography and performance to explore the ways in which the Idea of the salon as a springboard to examine issues such as gender,
Phenomenon, and as a source of innovation and change. The chapters are by different authors and, to quote theĮditors, Anja Bunzel and Natasha Loges, the collection 'explores Salon: Nineteenth-Century Salonmusik' held at Maynooth University Result of an international bilingual conference 'The European This informative collection of writing is the The inclusion of two case studies from the U.S. Hugely valuable, being wide-ranging, authoritative, and containing much Less to read about salon culture in general. While there is, inevitably, much written about 'great'Ĭomposers and their life in the salons of Europe, there has been much Woodbridge, Suffolk, UK: Boydell Press,Ģ019. Musical Salon Culture in the Long Nineteenth Century.
SYNERGY SALON TALLAHASSEE FREE
MLA style: "Musical Salon Culture in the Long Nineteenth Century." The Free Library.
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